Ripple

Ripple
Release Date: 5.29.2011

Saturday, March 12, 2011

drink of the gods

If someone had walked up to me this morning and said, "You are going to spend ten minutes making yourself a mug of hot cocoa," I probably would have responded with something like, "Dude.  Two words.  Swiss Miss.  Two more.  Thirty seconds."  (Or maybe it's Carnation brand we usually keep on hand?)

In any case, the [insert brand name here] that we usually keep on the shelves was GONE when I felt the cocoa cravings.  Ohnoes!  It's cold and rainy and I absolutely, positively need cocoa!  The cold and rain put me off making a run to the grocery store or [insert coffee shop name here.]

But wait!  The internet will save me!  I googled around a bit and found a recipe here that looked promising and freely adapted it to suit my preferences, the amount I required, and what was on the cocoa-packet-less shelf in my kitchen.

As I blenderized and stirred my beverage, I pondered several things such as:
(1) I am an idiot for spending this much time on a mug of cocoa.
(2) I am not an idiot for spending this much time on a mug of cocoa.
(3) It feels nice to get up from my desk and stretch and WOW does this stuff smell amazing!

So, was the beverage in question worth the time it took?

Two words.  Um, yeah.

If you'd like to make your own mug of awesomeness, here's my recipe:
1 cup raw milk
1 1/2 T raw cream
1 raw egg yolk
teeny-weeniest pinch of salt
1/2 tsp butter
1/8 tsp vanilla
2 1/2 tsp. rapadura (or sweetener of choice, to taste)
1 tsp honey
1 tablespoon high quality (best you can afford!) cocoa powder, unsweetened

Yes, that's a whopping 9 ingredients.  I placed them in a blender to smooth everything out and then heated on a low heat to 117 degrees.  I then poured the chocolate-y deliciousness into a mug I'd warmed with hot water, because 117 is a perfect drinking temp, and I didn't want the mug to cast an undesired chill upon my potion of delectable-ness.

If it is cold and rainy, or cold and snowy, or cold and [insert undesirable weather pattern here] where you live, I invite you to skip the powdered stuff and sample the drink of the gods.

Friday, March 11, 2011

Who's Cidney?

If you know me, personally, you'll know me as Cindy, or maybe Cynthia.  So who's Cidney?  Well, when I was little, I had a friend who couldn't manage to pronounce my name correctly.  She called me Cidney all year, and I liked it.  I was only five, and it didn't occur to me that I could require everyone to address me as Cidney, or I would have.

Tee hee!  Enter the need for an easily-googled pen name.  Go ahead and google Cynthia Swanson.  Or Cindy Swanson.  Or CJ Swanson.  Wow!  There's a lot of me out there!  Who knew I also ran PepsiCo or made cool art? 

Use your kindergarten nickname, said a tiny little voice inside.  Now, being a writer, I don't run the other way when the voices start talking.  I listen.  I take notes.  I write tomes.  Or in this case, I decide to spend a few days or maybe months trying on the name "Cidney" once again, at least in my writerly endeavors.

(Good job, says the little voice.)

Friday, January 7, 2011

Thoughts on MATCHED

So, if THE GIVER had a baby with UNWIND whilst living as a resident in the Capitol of Panem, it would look like MATCHED. (You have to suspend your disbelief on soooo many levels regarding Lowry's and Shusterman's novels to imagine this . . .) There's a lot of buzz about MATCHED being the next great thing to give to your students/library patrons/kids/selves who loved THE HUNGER GAMES. I don't exactly buy that particular sell. Okay, I did buy the book, so I guess I believed or wanted to believe. But if you are looking for the kind of heroine you loved in Katniss, or the kind of adventure the 74th annual Hunger Games provided, it ain't gonna be found in MATCHED.

This heroine takes her time to put on her big-girl panties and play hard ball. It feels real, that it would take her this long, because if anyone ever lived in a candy-colored Capitol, it's Cassia. Her journey isn't one of fighting to survive. The journey she must take is one that brings her to the place where she realizes something's rotten in the perfect State which has dictated every aspect of her perfect life. That takes some doing when you are well-fed and loved and basically safe.

That said, it's a fun read and the world-building is just terrific. And there's a great set-up for an action-filled second (and third?) book. There's just not much action or danger in this volume. If that's what you liked in THE HUNGER GAMES, you'd be better served reading elsewhere.

Sunday, October 10, 2010

Thoughts on MOCKINGJAY

I really wanted to like Mockingjay. No, to put it more accurately, I wanted to finish the book and be utterly satisfied with the outcome of Katniss’ life. Because, along with so many of you, I’d grown to care deeply for the feisty teen. I wanted her to take out Snow (and Coin as well.) I wanted her to have a profound happily-ever-after with one of the boys she loved. I was even willing to be persuaded one way or the other although I leaned towards self-sacrificing Peeta just a bit. I wanted Prim to grow up to be an herbalist and healer. I wanted Buttercup fat and happy, Haymitch back on the wagon for good, and a cherry on top, please.
So did I like it? Did the novel, in fact, satisfy?
If you’ve read the novel, you know that what Ms. Collins delivered fell somewhat outside the purview of my expectations. So much so that it has taken six weeks for all my feelings to settle into something like an opinion. So here it is. Collins didn’t deliver either happily-ever-after or up-yours-Capitol the way I expected. Instead, she delivered what I’m going to call realistically-ever-after. Given everything that we know about how humans survive trauma, wartime, and devastating loss, the picture of Katniss rings absolutely true.
First the Capitol, and then Coin, spent untold effort trying to figure out how to complete unhitch and neutralize Katniss Everdeen. And they came so close to succeeding. It’s nothing short of miraculous that she retains a semblance of sanity after two rounds in the Arena, seeing her entire District destroyed because of her actions, watching as a warehouse filled with people she’s comforted are bombed, watching as her companions are horrifically slaughtered while she leads them towards Snow in the Capitol, and seeing her little sister burn to death before her eyes, and so many other horrors. A superhero could survive these things. A fictional character could survive these things. But what makes us love Katniss? She’s as true-to-life as they come. A real person—a person who loves and feels deeply—cannot experience these horrors without some degree of insanity, without some desire to end it all.
I agonized through the pages detailing Katniss’ mental derailment. Why? I kept asking. Why can’t I just have Katniss happy and married or happy and single or, well, just happy? Do I need this as a reader? Er, well, yes. Actually I do, if I value truth-telling. And that is what Collins gave me: not what I expected, not what I wanted, but Truth. The last paragraph, the last sentence—these are what reconcile me to the way in which Collins told Katniss’ truth:
I’ll tell them how I survive it. I’ll tell them that on bad mornings, it feels impossible to take pleasure in anything because I’m afraid it could be taken away. That’s when I make a list in my head of every act of goodness I’ve seen someone do. It’s like a game. Repetitive. Even a little tedious after more than twenty year.
But there are much worse games to play.

Saturday, August 14, 2010

Peeta Bread

Hmmm. Where'd summer disappear? Well, the good thing about nearing the end of summer is that MOCKINGJAY is releasing soon. Are you one of the people who still has HUNGER GAMES on their too-be-read list? This is a great week to start reading. Although next week would be better. And plan to take the day off because once you sit down with the first book, there's no getting up for any non-essential activities. In fact, it would be best if you just bought or borrowed all three books at once.

But I'm not here today to discuss the meritorious nature of Collins' books. Rather, I present you with a recipe: a small homage to Peeta Mellark, that savior of all things Katniss. In the novel, the bread is described as stuffed with raisins and nuts. My version is made with whole wheat since I'm guessing Peeta would have known that whole wheat would provide Katniss and family with more nutrition per bite.

Enjoy!

PEETA BREAD

In a large mixing bowl, combine:

3/4 cup warm milk (100-120 degrees)
2 cups warm water (100-120 degrees)
2 T. yeast
1/8 cup sugar

Stir once and let sit until yeast has proofed. (Become bubbly.)

Add to above mixture:

1/4 cup oil
1/4 cup honey
1/4 cup loose-packed brown sugar
1 T. salt
3 cups whole wheat flour (fresh ground if you can grind it)
3 cups white flour or until sides of bowl are clean when mixing.

Mix together by hand or with dough hooks on a mixer until you have a beautiful dough. Knead in 1-2 cups walnuts and 1 cup raisins, 1/2 cup dried cranberries.

Often I add an additional cup whole wheat, but I live in a damp climate.

Let dough rise in an oiled, covered container until doubled. (1/2 hour to 90 minutes)

Divide dough in half. Form loaves and place in greased pans. Let rise in warm place, covered, until doubled.

Bake in preheated oven at 350 for 35 minutes.

For the full Katniss experience (which I do not recommend) you would avoid eating for a month before enjoying this delicious bread. And there's something about putting the loaf under your shirt that just sounds really painful as well. That's it. I need to re-read obviously.

Happy Baking while you wait for MOCKINGJAY!

Thursday, May 20, 2010

Show, Don't Tell

I picked up a 1996 Newberry Honor Book after reading an interview with the author who had just published a fourth book in the series begun with The Thief (Megan Whalen Turner, Greenwillow, 1996.) Not a very inspired title, I thought, and the cover art on my library-borrowed edition gave nothing away. I got drowsy reading three successive nights in a row, forcing myself to make it through to the chapters' ends before turning off my light. And I rarely get drowsy reading. Still, I liked some of the quirks of the main character, and the book had been given a prestigious award, right?

I'm glad I stuck with it.

This is a story where things that you learn at the book's end force you to reconsider (and in my case, re-read) everything you thought you'd understood. The technique, done poorly, can antagonize even the most generous reader. But I don't think you'll feel angry at Turner for holding out on you. The great thing about telling the story this way is that you learn who the protagonist is even when you don't know what he is. (I'm sooooo avoiding a major spoiler here, trust me.) This writer understands the value of showing over telling.

As I re-read some of the early chapters that I'd found "slow," I began to notice the art in Turner's showing. Rather than tell us that the thief, Gen, is a handsome, rogue-ish fellow, Turner gives us a scene in which Gen charms the innkeeper, earning her smile where others in Gen's group earn her scorn. The interaction between innkeeper and thief further shows us important character traits. Gen speaks gently when he learns her son is in prison. He's insufferably haughty towards his fellows when she brings Gen, and only Gen, a lunch for the road. Now, it would have been so easy to just say on the first page that the thief's a fellow who behaves kindly towards the down-trodden, but acts arrogantly around those who think too well of themselves.

Turner doesn't.

The author holds her cards close, showing us Gen's behavior in an array of testing situations which allow Gen to learn what he's really made of. And we learn right alongside him. The author's gamble pays off; The Thief is a great coming-of-age read.

I highly recommend The Queen of Attolia and The King of Attolia, the next two books in the series. Have a box of tissues at hand or something you won't regret breaking when you throw it. (Let your knowledge of yourself direct you.) As for me, I'm off to the bookstore for the fourth in the series.

Monday, May 17, 2010

PARTY by Tom Leveen, Random House 2010

Okay. For starters it's set in Santa Barbara, California. Santa Barbara. *moans with nostalgia* And Leveen gets subtle things just right about the place, such as the fog in June and the fact that sometimes it's better to take De La Vina instead of State Street. Eating is a big deal when you are a high school student, and Leveen makes frequent stops at a variety of food joints. I got hungry for wheat-germ strawberry pancakes (which I don't even like) and killer burritos (which I do) and wondered if my old fave pizza place still exists.

So let's say you have zero personal connection to Santa Barbara. There's still a great chance you'll find this an immersive read. Eleven great chances, actually. Leveen recounts the twelve-or-so hours surrounding the party from eleven different points of view. All speak in first person and in present tense. While I've slogged through books where keeping things in present tense did not enhance the narrative, it absolutely works in PARTY. Much of the action takes place inside the characters' heads where the present tense reinforces the illusion that you are working through issues alongside the characters. Not to say the action stays in the characters' heads; there's an ugly fight, sex, a car accident, and a big, BIG party.

So how does Leveen sustain eleven different POVs? He creates unique back-stories and identities for each character, but many writers do that. What I really enjoyed about Leveen's characterizations can be found in the rhythm of their speech. With a couple of exceptions (which I'll address below), each person in the story speaks from a distinct perspective using decidedly individualized language. Which brings me to: potentially objectionable content. Several characters swear. A lot. This creates a high level of realism in the dialog, but the book will not be appropriate for every teen both because of the language and the frank portrayal of teen sexual and drinking behavior.

But to return to the dialogue. Where one teen uses every known curse-word with abandon, others refrain entirely, and one kid abbreviates his offensive language by using only the first letter of the word he has in mind. Some speak in grammatically correct sentences; others elide letters and syllables. The dialog (and in some cases, dialect,) is so accurate you'll swear Leveen followed these people around with a recording device. I kept thinking of Hamlet speaking to the players: "Now this overdone . . . though it make the unskillful laugh, cannot but make the judicious grieve." No over-doings here. The dialog is brilliant.

So what are these eleven talking and thinking about? A party, certainly, but there's more going on in this novel than drinking, fighting, and getting laid. (One character's summary of what kids go to parties to do.) We watch them pass through transforming, redemptive experiences between sunset and sunrise. There are really, really, bad decisions made by some of these kids, but there's some amazing re-thinking, apologizing, and owning-up afterward.

I had to think hard to come up with a complaint about the book. I promised above to return to the exceptions to Leveen's success in creating eleven distinctive voices. So here's my only complaint. I found it tough to keep Tommy, Daniel, and Matt from mushing together in my head. In fairness, Matt doesn't get his own chapter. But Tommy and Daniel do, and I still had a hard time, while I read, remembering anything very distinguishing about either of them. Later it occurred to me that this could have been purposeful on the author's part; along with Ryan and Josh, Tommy-Daniel-Matt make a five-some who have spent years together. They have a lot in common and maybe we're supposed to notice similarities instead of differences.

Or maybe I just need to go back and have a second, slower read. Hmm, that sounds nice. And I think I'll go ahead and register for my class reunion in Santa Barbara this fall.